Alan Bodner

The creative process of Alan Bodner is spontaneous, unpredictable, and often chaotic. Bodner’s art is a mastery of original painting, digital imagery, and dimensional paper sculpture. The vibrant, theatrical compositions embody a menagerie of original characters, personalities, and monsters in surreal, complex settings. With cultural references to the past, present, and his personal vision of the future, Bodner compounds, distorts, and exaggerates for emotional effect—the result consistently friendly and engaging. His fine art is featured in galleries and museums throughout the U.S.—including the Paley Center For Media in Beverly Hills—and ranges from pop surrealism prints to multi-tier geometric assemblage.

Raised in Portland, Oregon, by an extended family of dancers, musicians, toy distributors, and clothing designers, Bodner’s childhood was an overload of creative forces that nurtured a timeless personality: an esoteric mix of Road Runner, Peter Pan, and Ideal’s Mr. Machine. After an adolescence inspired by Erte, Miro, and mid-century pop art, Bodner moved to Los Angeles and developed his talents at Art Center College of Design.

Bodner’s fine art is an extension of an Emmy Award-winning, 25-year career as an Art Director for numerous studios and production companies, including the Walt Disney Company, Warner Bros., DreamWorks, The Cartoon Network, and Filmation, to name a few. Mighty Mouse, The Fat Albert Show, Heckle & Jeckle, and Pee Wee’s Playhouse comprise his early credits—followed by Looney Tunes theatrical shorts with Bugs Bunny, Daffy Duck, Porky Pig and Sylvester & Tweety. Credits include the Emmy-nominated Kim Possible, Phineas & Ferb, The Replacements, Mickey’s Twice Upon A Christmas, The Iron Giant, Cinderella II, Neighbors From Hell, The Life & Times of Juniper Lee, the classic Bugs Bunny short Carrotblanca, and many more. His five Annie Award nominations include a win for Warner Bros. The Iron Giant and Emmy for Disney’s Tangled Series.